Members
IP: Diana Gorostidi Pi (URV-ICAC)
Investigadors/es sènior
Anna Gutiérrez Garcia-Moreno (ICAC)
Montserrat Claveria (CU-UAB)
Jesús Carruesco (URV-ICAC)
Investigadors/es postoctorals
Marie-Claire Savin (ICAC-UAB)
Simona Perna
Jordi Oliver
Investigadors predoctorals
Laura Galán
Marta Nicolás (URV)
Saray Garcia (UAB)
Teresa Buey (URV)
Hugo Feliu
Andrea Collado
Col·laboradors externs
Isabel Rodà de Llanza (UAB-ICAC)
Pilar Lapuente Mercadal (UniZar)
Isabelle Pianet (IRAMAT, Bordeus)
Virginia García-Entero (UNED)
Maria-Pia Darblade
Serena Vinci (UNED)
Adalberto Ottati (UPO)
Silvia González Soutelo (UAM)
Begoña Soler
J. Antonio Antolinos
Marta Moreno (UAB)
Piero Berni
F. Xavier Riu (UB)
Jaume Pòrtulas (UB)
Montserrat Reig Calpe
Antoni González Sanmartí
Alejandra Guzmán Almagro (UB)
Marta García Morcillo (Univ. Durkham)
Pablo Varona (Univ. Perugia)
Lucio Lauri (La Sapienza – URV)
Sílvia Llobet (ABAC)
Pau Sabaté
Ana Fernández Iglesias (URV)
The group is structured around two research lines:
Regarding archaeometric and materials studies, the objectives for the coming years will focus on two main areas. On the one hand, the development of new analytical methods that will enable further progress in the identification and differentiation of stone materials that are indistinguishable to the naked eye (especially white, white-grey and veined marbles), with particular emphasis on materials from the Iberian Peninsula and the Pyrenees, whose use has become increasingly evident in recent years. On the other hand, the research will examine how these marbles and other materials (limestones from Espejón de Soria, broccatello from Tortosa, glass imitations of marble) were configured as means of symbolic expression of political prestige, economic power, self-representation, links with the past, etc., from Antiquity onwards, as well as the continuity of this conception alongside the purely functional reuse of these materials throughout subsequent centuries.
With regard to artistic productions in stone, research will continue on ornamental and representational elements in public and private spaces (epigraphy, sculpture and architecture). We will focus our attention on the production of the workshops (officinae) of Tarraco and Barcino. Particular attention will be paid, on the one hand, to honorary monuments and monuments of public representation, their distribution and influence on the other cities of the province of Hispania Tarraconensis, and the typological relationships between the iconographic models of statuary. Finally, we will consider aspects related to the social dimension, such as monumental contexts, uses, adaptations and reuses, as well as the profile of the people who commissioned these artistic productions.